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History of Pantomime: Maddy the Ragdoll’s Whimsical Whirl Through the World of Pantomime

Maddy the Ragdoll’s Magical Guide to Pantomime

Hello, my lovelies! It’s me, Maddy the ragdoll, here to sprinkle a little magic dust on your day and whisk you away into the wonderful world of pantomime. With a fun-filled journey through the history of pantomime. Now, don’t let my cute floppy arms and button eyes fool you—I know a thing or two about this glittering, giggling spectacle that fills British theatres every Christmas. Pantomime, or “panto” as it’s lovingly called, is like a giant cuddle of laughter, fairy tales, and all-out silliness. Hold onto your stuffing!

Picture this: dazzling costumes, mischievous villains, heroic princesses (and princes), with plenty of singing, dancing (and you know how I love a dress up costume!). Plus, more “Oh no it isn’t!” and “Oh yes it is!” moments than you can shake a wand at. But did you know pantomime has an amazing history that dates back centuries? Let’s pull back the curtain and discover the fascinating history of panto? Well, hang on to your buttons and bows, because I’m about to tell you the story of how this fabulous festive treat came to be.

Guess who! Cheeky and charming! 😉

The Roots of the Raucous: Pantomime’s Ancient Beginnings

To understand the origins of panto, we have to travel back in time—waaaaay back to ancient Greece. Yes, folks, long before Widow Twankey was hanging out her washing, performers in ancient Greece used a storytelling style called “pantomimos,” where they acted out tales through expressive gestures, music, and dance (but don’t worry—there were no custard pies in sight back then – we think!). In fact, as the early Greeks aptly demonstrated, the word ‘pantomime’ literally means ‘imitator of all’.

Fast forward to the 16th century, and we find ourselves in Italy, the birthplace of commedia dell’arte. This was a colourful and chaotic form of theatre with stock characters who were represented by masks, making them easily recognisable to the audience. Like the cunning Harlequin (a cheeky servant who was always up to something), the scheming Pantalone (a grumpy old miser) and the love-struck Pierrot. These characters had slapstick antics down to an art form—quite literally, since “slapstick” comes from a type of prop they used! Ultimately, these characters were the ancestors of some of today’s panto stars: the cheeky comic sidekicks, the heroic lovers, and the dastardly villains.

commedia dell’arte St Marks Square, Venice 1722

 Oh, Yes It Is! Pantomime Takes Root in Britain

When commedia dell’arte made its way to England in the 18th century, it brought all its mischief with it. By 1717, the first English pantomime, The Love of Mars and Venus, was put on by John Weaver. Not intended for children, these early pantomimes were made up of serious and comedic sections, interwoven with little to link them. But it was Lincoln’s Inn Fields theatre genius manager John Rich who turned panto into something truly magical. He introduced Harlequin as a mischievous magician, added dazzling special effects, and made the shows funny enough to tickle even the sternest Georgian gentleman. As a result, the seeds of pantomime as we know it were firmly planted in the British theatre scene.

The big twist? In 18th-century England, David Garrick, a famous actor-manager, decided pantomime should be performed exclusively during Christmas, tying it forever to the festive season. Why? Well, he wanted to protect “serious theatre” (Think Shakespeare’s King Lear or Hamlet) from being overshadowed by the silliness of panto. Little did he know, he’d created a tradition that would last for centuries. From then on, pantos became an annual treat, full of holiday spirit, laughter, and just the right amount of chaos.

The History of Pantomime: What Makes Panto So Uniquely British?

Firstly, Panto is as British as tea and crumpets. But why? First, it’s tied to our love of humour, especially the kind that gets everyone involved. Call-and-response gags, such as “He’s behind you!” and “Oh yes it is!” unite the audience and performers in a way few other art forms do.

Secondly, pantomime holds a very special place in British hearts. While it’s performed during the Christmas season, it’s not strictly a religious tradition—it’s more of a family ritual. As cosy and comforting as a warm mince pie. Brits love panto because it brings generations together. Granny, Mum, Dad, the kids—even the grumpy uncle in the corner (Sorry Uncle Ted!) —will all be giggling and shouting by the end of the show. It’s a perfect mix of cheeky double entendres for the grown-ups and dazzling magic for the little ones. Possibly involving slapstick custard pies!

Lastly, pantos are a cultural institution, performed in theatres big and small across the country. From the grand stages of London’s Palladium to community theatres in tiny villages, panto brings people together every year.

There’s something uniquely British about the whole thing, from the over-the-top dames in outrageous frocks to the clever wordplay and loveable audience participation. While other countries enjoy theatre at Christmas, nothing quite matches the communal joy of yelling, “He’s behind you!” to a hapless hero. It’s like a national sport—but with glitter.

Pantomime Around the World

While pantomime is undeniably British, it has made its mark globally. Ireland has a strong panto tradition, with the Gaiety Theatre in Dublin hosting magical performances each year. Since 1873, in fact. British expats have taken panto to countries like Australia and Canada, where it continues to delight audiences.

Even in the United States, you can find pantomimes in cities with large British communities. But nowhere does it quite like Britain, where panto is a festive institution as cherished as a roast turkey dinner.

Pantomime Becomes a Christmas Staple: The History of Pantomime

By the Victorian era, pantomime had become the glittering extravaganza we know today. Fairy tales replaced the old harlequinades, bringing in familiar characters like Cinderella, Aladdin, and Sleeping Beauty. Meanwhile, the Principal Boy—a heroic lead often played by a woman in breeches—and the larger-than-life Pantomime Dame—a man dressed in comically outrageous women’s clothes—became central to the fun.

And let’s not forget Joseph Grimaldi, the iconic clown of the 1800s, who brought slapstick and mischief to new heights. His work was so influential that the term “Joey” became synonymous with clowns everywhere. Furthermore, this legendary Clown of early pantomime inspired characters like Buttons and Widow Twankey with his antics. Without Grimaldi’s genius, panto might never have been so wonderfully silly!

The history of pantomime was changing again. Let’s delve deeper….

Rise of the Clown: Panto’s New Superhero

By the early 1800s, pantomime was changing at lightning speed. Harlequin was shoved aside as the Clown took centre stage, becoming the hero the public didn’t know they needed. Why? The Clown mirrored the social unrest of the time, offering a rebellious escape where hunger didn’t exist, and the powers-that-be got their comeuppance—comic style, of course. Audiences loved it, and just like that, the Clown became the ultimate crowd-pleasing superstar.

Joseph Grimaldi as The Clown

From Harlequin to Hilarity: Panto Finds Its Cheeky Groove

By the Victorian era, the harlequinade had totally been given its marching orders. Why? Well, apparently, the moral middle classes weren’t too keen on watching policemen get clobbered or society’s rules thrown out the window. (Honestly, what a bunch of party poopers.) So, pantomime did what it does best: it adapted, reinventing itself yet again.

Enter the music hall stars—a rowdy, raucous bunch who swaggered onto the panto stage and brought with them the woes, wit, and winks of the working class. They added a cheeky, bawdy edge to the show that audiences couldn’t resist. Forget complex plots! Who needed them when you had celebrity singers belting out their hits, dancers kicking up their heels, and comedians cracking jokes that sailed juuuust over the heads of the kids?

The Birth of Panto Banter: Panto Goes Pop! Victorian Spectacle and Fairy Tale Magic

In 1843, the Theatres Act was scrapped, and with it went the ban on spoken dialogue in non-Royal-patented theatres. Cue pantomime bursting onto the scene with a whole new bag of tricks—snappy wordplay, cheeky double entendres, and plenty of shouty audience participation.

For a deeper dive into the era of Victorian spectacle and its influence on pantomime, visit the Victoria and Albert Museum.

Pantos started getting personal too, riffing on local gossip and current events. At the Bristol Empire’s first pantomime in 1899, they poked fun at the grimy River Avon and threw in some anti-Boer jokes (because nothing says family fun like a war quip).

By the 1860s, the pantomime formula was pretty much set, with titles, plots, and traditions locked in. And by then, one thing was clear: Christmas wasn’t complete without a trip to the panto, especially for the kids. Traditions, silliness, and topical humour? Oh yes, it is!

Newspaper illustration showing preparation for the pantomime at Drury Lane Theatre, The Publisher magazine, 1874, England.

A Tiny Stage for Big Dreams: The Story of Toy Theatres

Long before streaming services and YouTube, kids in the Victorian era had their own slice of showbiz magic—toy theatres! And the history of pantomime wouldn’t be complete without mentioning these amazing teeny stage sets. Notably, these miniature marvels were all the rage, combining imagination, craftsmanship, and a dash of theatre history. Picture this: tiny cardboard actors, jointed and ready to strike a pose, acting out epic tales of Harlequins, Columbines, and dastardly villains on pint-sized stages. These intricate theatres, complete with trapdoors, painted backdrops, and fluttering fairies, brought the glitz of the big stage straight into family living rooms.

Often based on popular productions from London’s bustling theatre scene, many of these sets were bought from iconic shops like George Pollock’s in Hoxton, where children and adults alike marveled at the craftsmanship. Whether recreating a Harlequinade or dreaming up their own pantomime antics, toy theatres were a cherished Christmas gift that brought generations together to play, perform, and unleash their creativity.

Today, toy theatres and jointed figures (namely dolls to you and me) continue to inspire budding directors and performers, keeping this magical tradition alive. (Certainly our delightful Toy Centre range of enchanting puppet theatres and their charming characters inspire creativity and panto fun)!

Famous Faces Theatres in Panto History

Panto has a star-studded history, with many famous faces taking to the stage over the years. Comedians like Danny La Rue, Kenneth Williams, and Barbara Windsor have all donned the Dame’s outrageous frocks. More recently, stars like Julian Clary, Dawn French, and John Barrowman have brought their own sparkle to the tradition. Even international stars like David Hasselhoff have stepped into the spotlight to entertain British audiences. not to mention, our very own much beloved late Queen Elizabeth II and her sister, Princess Margaret.

And let’s not forget the iconic theatres that have hosted these performances. Some of Britain’s grandest theatres put on spectacular pantos each year. The London Palladium is famous for its star-studded productions, while regional gems like the Bristol Hippodrome and Liverpool Empire also light up the festive season.

Queen Elizabeth II and Princess Margaret starred in a performance of Aladdin in 1943.

Why Do Kids (and Parents) Love Panto?

Pantomime is pure joy for kids. At the same time, it’s incredibly beneficial for children. For starters, its colourful costumes, zany characters, and interactive elements make children feel like part of the story. Not to mention, sparks their imaginations. They can shout at the stage, laugh out loud, and even join in the action.

As they are encouraged to step into a world of fairy tales, heroes, and villains, the interactive nature of panto helps kids develop social and communication skills. Shouting “Oh no it isn’t!” in unison with hundreds of other people builds confidence and a sense of community. Plus, the humour and wordplay expose them to language in a playful, engaging way.

Most importantly, pantomime shows children that the theatre is a place of joy, creativity, and shared experiences. Who knows? Today’s wide-eyed child shouting “He’s behind you!” could be tomorrow’s West End star. Additionally, it fuels their desire to use their imaginations as they explore pretend play toys and games.

For parents, panto offers a rare chance to share belly laughs with their kids. The comedy works on two levels: slapstick for the little ones and cheeky innuendos for the grown-ups. It’s a bonding experience wrapped in sequins and daftness.

Signature Elements That Make Panto Magical: The History of Pantomime

What would panto be without its trademark traditions? Our in-depth look at the history of pantomime would not be complete without mentioning these. Here are some of the must-haves:

  • The Dame: Always flamboyant, always funny, and always played by a man. Think of Widow Twankey in Aladdin or Sarah the Cook in Dick Whittington.
  • The Principal Boy: A dashing hero played by a woman, often wearing breeches that caused quite the stir in Victorian times.
  • Audience Participation: From booing the villain to cheering the hero, the audience is as much a part of the show as the actors.
  • Slapstick Comedy: Custard pies, pratfalls, and silly chases never fail to get a laugh.
  • Magical Transformations: Whether it’s Cinderella’s pumpkin turning into a carriage or Aladdin’s lamp unleashing a genie, every panto needs a little magic.
Principal ‘boys’ as reported in The Sketch Magazine, 27 December 1893, England.

The Magic of Pantomime Stories

Modern pantomimes take classic fairy tales and sprinkle them with comedy, music, and a touch of Christmas sparkle. Some pantos have stood the test of time for a reason—they’re simply the best!

Some of my favourites include:

  • Cinderella: The classic rags-to-riches story with a Fairy Godmother, hysterical ugly stepsisters, and a pair of glass slippers. (PS Maddy sneaky spoiler: next up in my Fairytales Reimagined series is super Cinderella).
  • Aladdin: A rags-to-riches story complete with a magical lamp, a wish-granting genie, and the iconic Widow Twankey.
  • Jack and the Beanstalk: Featuring magic beans, a really tall beanstalk, a feisty cow, a giant and a whole lot of “Fee-fi-fo-fum!” slapstick chaos.
  • Aladdin: A tale of adventure, love, and a magic lamp, complete with the iconic Widow Twankey.
  • Sleeping Beauty: A classic tale of love, curses, and a good fairy to save the day.
  • Dick Whittington: A uniquely British tale about a boy, his clever cat, and their journey to becoming Lord Mayor of London.
  • Peter Pan: The boy who wouldn’t grow up and his adventures in Neverland.

Modern Pantomime: Glitter, Glamour, and Giggles

Today, pantomime is as popular as ever. Moreover, the history of pantomime is constantly updating! It’s evolved to include pop culture references, celebrity cameos, and spectacular special effects, but its heart remains the same. The Dame, the Principal Boy, and the villains we love to hate all still take centre stage.

With its timeless combination of comedy, magic, and music, panto continues to bring families together every Christmas. Whether you’re a first-time attendee or a lifelong fan, one thing is certain: no one leaves a panto without a smile on their face.

Maddy the Ragdoll’s Final Bow

Well, my dears, that’s a wrap! As your loyal guide, Maddy the Ragdoll, I hope I’ve helped you see why pantomime is such a beloved tradition. and what a magical ride the history of pantomime is! From its ancient roots to its sparkling modern productions, panto is a celebration of laughter, imagination, and community. So, this Christmas, grab your tickets, shout your loudest “Oh no it isn’t!”, and let the magic begin. After all, as the Dame would say, “You’ll laugh your socks off—if you’re wearing any!”

Take a bow, my lovelies. The curtain’s closing, but the magic of panto will stay with you long after the final “He’s behind you!” See you at the theatre! 🎭✨

Uh – oh! Where’s my glass slipper?

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